VES Award-Winning VFX Supervisor | Creative & Technical Leadership | Film, TV & Emerging Media
ABOUT FABRICIO
With over 20 years of experience delivering world-class visual effects for major Hollywood productions, I’m driven by the challenge of blending artistry, technology, and teamwork to create visuals that elevate storytelling and leave a lasting impact.
I’ve had the privilege of supervising high-profile projects such as Black Adam, Uncharted, and the VES Award–winning Last Night in Soho, as well as Venom: Let There Be Carnage, Devotion, and Spy Kids: Armageddon.
Earlier, I served as CG Supervisor and Compositing Supervisor on Wonder Woman 1984 and Men in Black: International, and as CG Lead on Deadpool 2, The Fate of the Furious, and the Academy Award–winning Blade Runner 2049.
My journey began in Brazil, where I spent 15 years building and leading VFX teams across film, television, commercials, and features, developing a deep, hands-on understanding of the full VFX pipeline, from on-set supervision to final delivery.
Awards
2022 VES Award for Outstanding Supporting Visual Effects in a Photoreal Feature — Last Night in Soho.
Discover this and nine other international awards on the Awards Page.
Work Experience
Led visual effects supervision across high-end film and television productions, overseeing creative direction, technical execution, and cross-department collaboration. Worked closely with directors, producers, and global teams to ensure visual consistency, quality, and delivery within budget and schedule.
Supervised the digital effects pipeline, bridging on-set data acquisition with post-production execution. Ensured seamless integration between departments while maintaining creative intent, technical accuracy, and production efficiency.
Oversaw CG teams responsible for asset development, environments, animation, and lighting. Provided creative and technical guidance to ensure high-quality visuals aligned with project requirements and delivery timelines.
Led CG and lighting departments, defining visual look, lighting continuity, and rendering strategies. Collaborated closely with VFX Supervisors to maintain aesthetic consistency across sequences.
Managed CG production at the sequence level, coordinating artists and departments to deliver complex shots. Acted as the primary point of contact for creative and technical decisions within assigned sequences.
Contributed across multiple areas of the VFX pipeline, including lighting, compositing support, and technical problem-solving. Focused on efficiency, shot optimization, and pipeline reliability.
Specialized in lighting and rendering for feature film productions, ensuring visual realism, mood consistency, and technical precision while meeting demanding production schedules.
Supervised visual effects for film, television, and commercial projects, managing teams, budgets, and client expectations. Played a key role in translating creative concepts into polished final visuals across diverse formats.
Led CG teams responsible for animation, lighting, and rendering. Established workflows, mentored artists, and ensured technical and artistic standards across multiple projects.
Served as CG Lead for broadcast and long-form content, overseeing visual effects production for television programming. Ensured visual quality, consistency, and efficient turnaround within tight broadcast schedules.
Worked as a senior generalist across modeling, animation, lighting, and compositing for major television productions. Played a key role in advancing CG quality within one of Latin America’s largest broadcasters.
Presented industry insights on Visual Effects for Film and Television, sharing real-world production experience, workflows, and technical approaches with an international professional audience.
Collaborated with Autodesk development teams as a beta tester, providing production-level feedback to improve stability, workflows, and feature performance in industry-standard tools.
Supervised visual effects projects while managing teams, schedules, and client relationships. Contributed to both creative direction and operational leadership.
Taught foundational and advanced concepts in 3D graphics and visual effects, training emerging artists in industry tools and production workflows.
Delivered technical instruction in computer graphics and early VFX techniques, supporting the professional development of students entering the digital production field.
