VES Award-Winning VFX Supervisor | Creative & Technical Leadership | Film, TV & Emerging Media
ABOUT FABRICIO

With over 20 years of experience delivering world-class visual effects for major Hollywood productions, I’m driven by the challenge of blending artistry, technology, and teamwork to create visuals that elevate storytelling and leave a lasting impact.
I’ve had the privilege of supervising high-profile projects such as Black Adam, Uncharted, and the VES Award–winning Last Night in Soho, as well as Venom: Let There Be Carnage, Devotion, and Spy Kids: Armageddon.
Earlier, I served as CG Supervisor and Compositing Supervisor on Wonder Woman 1984 and Men in Black: International, and as CG Lead on Deadpool 2, The Fate of the Furious, and the Academy Award–winning Blade Runner 2049.
My journey began in Brazil, where I spent 15 years building and leading VFX teams across film, television, commercials, and features, developing a deep, hands-on understanding of the full VFX pipeline, from on-set supervision to final delivery.
Awards

2022 VES Award for Outstanding Supporting Visual Effects in a Photoreal Feature — Last Night in Soho.
Discover this and nine other international awards on the Awards Page.
Work Experience
Hard-earned reputation for reframing the possible. Whether working production-side, on set or in the studio, our team bring life, creativity and richness to every single project they touch. And, because, no two projects are alike, our Supervisors draw from a wide pool of experience and expertise that extends far beyond film and animation. With backgrounds in everything from fine art and physics to graphic design and engineering, we offer a unique melting pot of skill, creativity and insight that makes the "show me something I haven't seen before" challenge second nature.
Collaborative leader, integral to the show success. Provide careful direction and guidance to internal teams, connecting the creative vision of the Director and client to supervisors, heads of dept. artists & technicians, from concept to delivery. Able to provide on-set VFX Supervision for VFX and Virtual Production shoots, advising, guiding and steering technical and creative solutions.
As an industry proven professional, you will be comfortable overseeing the entire production process, working with people at all levels. You will be respected for your confidence and ability to set creative high quality standards, approving all work across your show. Constantly pushing for stunning image creation that matches and exceeds the Oscar winning visual standards.
Clients will be attracted to your creative style and ability to resolve blockers with elegant, seamless solutions. Our crew will thrive off your collaborative, buy-in approach, clarity of notes and direction.
Oversee a team of department supervisors working with artists as they produce CG assets, set up a working shot pipeline, and successfully deliver CG elements and imagery for the shots on the project. The DFX Supervisor will be expected to creatively lead their team throughout the show, working with the department supervisors to ensure creative direction is being followed and milestones are being reached. They will help to ensure that good and clear communication occurs at all times between the VFX Supervisor, artists, production team, and department supervisors. They will contribute to the bidding and planning of milestones and approaches for the project, and proactively provide feedback on crew and the pipeline.
Glue that holds a huge part of projects together. They are vital to the delivery of our shows and we rely on them heavily to successfully complete all projects. It is their responsibility to interpret and implement the creative aims of the Director/VFX Supervisors within budget.
Oversee a team of talented artists as they produce CV assets, setting up a working shot pipeline and successfully delivering CG elements for shots on your project. Creatively and technically lead your team throughout the show ensuring that good and clear communication occurs at all times between the artists, production team and show leads/supervisors. Contribute to the bidding and crewing for your project, providing feedback on crew and the pipeline etc. when asked.
Glue that holds a huge part of projects together. They are vital to the delivery of our shows and we rely on them heavily to successfully complete all projects. It is their responsibility to interpret and implement the creative aims of the Director/VFX Supervisors within budget.
Oversee a team of talented artists as they produce CV assets, setting up a working shot pipeline and successfully delivering CG elements for shots on your project. Creatively and technically lead your team throughout the show ensuring that good and clear communication occurs at all times between the artists, production team and show leads/supervisors. Contribute to the bidding and crewing for your project, providing feedback on crew and the pipeline etc. when asked.
Managed CG production at the sequence level, coordinating artists and departments to deliver complex shots. Acted as the primary point of contact for creative and technical decisions within assigned sequences.
Contributed across multiple areas of the VFX pipeline, including lighting, compositing support, and technical problem-solving. Focused on efficiency, shot optimization, and pipeline reliability.
Specialized in lighting and rendering for feature film productions, ensuring visual realism, mood consistency, and technical precision while meeting demanding production schedules.
Supervised visual effects for film, television, and commercial projects, managing teams, budgets, and client expectations. Played a key role in translating creative concepts into polished final visuals across diverse formats.
Led CG teams responsible for animation, lighting, and rendering. Established workflows, mentored artists, and ensured technical and artistic standards across multiple projects.
Served as CG Lead for broadcast and long-form content, overseeing visual effects production for television programming. Ensured visual quality, consistency, and efficient turnaround within tight broadcast schedules.
Worked as a senior generalist across modeling, animation, lighting, and compositing for major television productions. Played a key role in advancing CG quality within one of Latin America’s largest broadcasters.
Presented industry insights on Visual Effects for Film and Television, sharing real-world production experience, workflows, and technical approaches with an international professional audience.
Collaborated with Autodesk development teams as a beta tester, providing production-level feedback to improve stability, workflows, and feature performance in industry-standard tools.
Supervised visual effects projects while managing teams, schedules, and client relationships. Contributed to both creative direction and operational leadership.
Taught foundational and advanced concepts in 3D graphics and visual effects, training emerging artists in industry tools and production workflows.
Delivered technical instruction in computer graphics and early VFX techniques, supporting the professional development of students entering the digital production field.
